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'karen'评论:一个完美的名字被这个笨重的惊悚片进一步撒谎

任何人都受到这个乔丹皮尔屈折失火会希望尽快得到影院出来。

凯伦
礼貌的颤抖分配

用粉笔绘制的黑色物质生活符号的镜头开始通过其同名的好事者,不知何故正从有较少的微妙被冲走,“凯伦”辜负 - 或下降,而是 - 通过其臭名昭著的预告片,其中又以病毒的所有错误的原因今年夏天早些时候设定的预期。从标题(这在近年来已成为题为白人妇女一个贬义词),几乎每一个叙事节奏,编剧兼导演焦炭丹尼尔斯”讽刺的惊悚片报价在一点尖锐的社会评论或刺激的方式。

“她似乎很好,”伊曼尼(Jasmine Burke)在首次看到他们的新邻居时对她的丈夫Malik(Cory Hardrict)说。当凯伦(Taryn Manning.)安装一个新的安全摄像机直接在他们的家指出半开玩笑地指责套管她家的马利克。作为亚特兰大郊区高档社区的第一个黑色居民,他们不一定期待着红地毯 - 但他们都没有期待这种巨大的公开敌意。“等一下”中,现实中汇后伊曼尼问:“我们有一个名为白题为邻居......凯伦?”

And that, in essence, is the only card this film has up its sleeve: an over-the-top personification of a stereotype rooted in social injustice, which Daniels treats in a semi-comic manner that’s never especially funny (except, on occasion, unintentionally so). “Karen” plays out instead as a parade of clichés that escalate in terms of intensity but not tension. Karen reveals herself as an irredeemable racist the moment we meet her, and so there’s never any depth to her character or the slightest suggestion that Imani and Malik may be projecting.

曼宁,谁发挥一个不完全,不同性格的“女子监狱”显着的影响,并提出了眉毛防守唐纳德特朗普,太受材料的限制,甚至得到梅梅饲料标题的作用了。通过首先用RENTRIEN的RILED提交餐厅管理人员的投诉,真正没有体现的刻板印象的任何方面。Burke和Hardricct的票价更好,如果只是茉莉花和马里克不仅仅是走路,陈列陈词滥调。即使在通过对话冒着对话的情况下,如此不自然,即在比较抑制场景的情况下,伊曼尼尤其很容易扎根。伯克让她的性格感觉更真实比电影什么都重要,一个不幸的是低杠清除。

尽管如此,很难想象任何超越这种鼻子材料的人。Perhaps the worst offender is a discussion between Karen and other attendees of her new neighbors’ housewarming party, in which she claims all lives matter, Black people pull the “race card” every time they mention slavery and anyone who doesn’t like it here can “go back” to Africa. That sequence is followed, less than 10 minutes later, by one in which she calls the police on three young Black men walking through the neighborhood. (For added narrative convenience, one of those officers is her equally bigoted brother.) That all of these things occur with alarming frequency is indisputable; that their depiction should be as blunt is questionable.

有时,感觉丹尼尔斯可能瞄准如此糟糕 - 它的良好和/或崇拜 - 经典状态,但综合组织如此直截了当地呈现,即“凯伦”也没有成功。摇摇欲坠的生产价值 - 突然切割,图像质量感觉比银屏更多的电视 - 不帮助,但主要的罪魁祸首是丹尼尔斯的痛苦毫无疑问的剧本。

Though the release of its trailer a few months back prompted immediate comparisons to Jordan Peele’s “Get Out” (none of them favorable), it’s the Peele-produced “Candyman” that feels like a more apt point of reference — if only because the two films are being released in consecutive weeks. Nia DaCosta’s transfixing update of the 1992 horror classic touches on such loaded topics as gentrification, police brutality and generational trauma with nuance and aplomb, all while being scary as hell. In that sense, it’s the anti-“Karen”: a film whose name you’ll want to repeat rather than forget.

'karen'评论:一个完美的名字被这个笨重的惊悚片进一步撒谎

9月2日,9021年9月2日在线审查。运行时间:89分钟。

  • 生产:的BET的震撼发行上映,Flixville美国,花生画廊群,Bondit传媒资本,伯克管理公司生产,由13部电影呈现。生产者:克雷格查普曼,玛丽芦荟,服务器克雷斯科,秋天贝利福特。执行制作人:Vanzil T. Burke,Victor T. Burke,Ben Crump。
  • 全体人员:导演,编剧:可乐丹尼尔斯。相机:Anthony J Rickert-Epstein。编辑:Aziza Ngozi。
  • 和:Taryn Manning,Cory Hardrict,Jasmine Burke,Roger Dorman,Brandon Sklenar,Gregory Alan Williams,Ben Crump,Keyon Harrold,Betsy Landin,Mary Christina Brown,Veronika Bozeman。
  • 音乐: